Everyone Who Thinks They Know What’s Going On Doesn’t
Greg Dillon says “BYE BYE” to insomnia and embraces the chaos of Kim Gordon’s dream dollar at the Regent Theater.
Greg Dillon says “BYE BYE” to insomnia and embraces the chaos of Kim Gordon’s dream dollar at the Regent Theater.
Duck and cover! The iconic launch reading for “The Big One” magazine brought down the house, reports Max Gordy.
A. J. Brown gets parasocial for the launch of Brittany Menjivar’s debut anthology at Stories in Echo Park.
Emma dePaulo Reid determines whether haircutting, tree trunks, and negated flour chickens were wise beyond their years at the Hammer Museum’s “Only...
Britt Menjivar attends a “hardcore” screening of Mara Mckevitt’s “Val” and Miranda July’s “The Amateurist” in Chinatown.
Whatever Los Angeles Bar: Second Pour brings, Brandon Sward will be there, with open arms and open eyes, yeah.
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art. 1...
Jack Skelley has no stones to throw at “Glass House,” a new intermedia performance organized by Volta Collective and Central Server Works.
Emily Ann Zisko faces her complete fear of Jack Skelley’s “Fear of Kathy Acker,” adapted for the Santa Monica stage by Siena Foster-Soltis.
LARB copydesk chief A. J. Ur-squid-i asks, “What’s Kraken?” at Squid’s Leap Day show at the Orange County Observatory.
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.
David Diaz is ready to say “WTF is up, Denny’s?!” after watching Ceremony play their classic 2010 LP “Rohnert Park” live at the Hollywood Palladium.
Brooke Hallie Metayer asks, “Wherefore art thou, Romeo and Juliet ballet?” and finds it at the Ahmanson Theater, courtesy of choreographer Matthew...
Outside the Crypto.com Arena, the grief and love of grown men briefly erupted in a gush of tears and chants and memories.
Eloise Rollins-Fife masks up and gets down with the art world's cutest creeps, ranging from “sexy rabbit” to “life-sized Furby.”
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.