It Takes Two: “Shadowbahn” by Steve Erickson
Charles Taylor on Steve Erickson's "Shadowbahn."
Charles Taylor on Steve Erickson's "Shadowbahn."
Charles Taylor visits Jim Jarmusch's "Paterson."
Charles Taylor reviews Tom Jones's autobiography.
For writer-director McCarthy and his co-writer Singer, "Spotlight" is a leap in terms of scale and depth.
Charles Taylor reviews Michel Houellebecq's "Submission."
"Prime Cut" is a sardonic report from the battle to define what America was and who it was for.
"The final irony of Hickey & Boggs is that this movie about isolation and displacement is an affirmation of a real-life partnership."
On Sleater-Kinney’s legacy upon the release of their vinyl boxset, "Start Together."
On 'A Hard Day's Night'
On the mysterious Lewis
The sad transcendence of Wussy's 'blue-collar bohemianism'
Charles Taylor reviews Johnny Moncada’s unseen photographs of Veruschka, the timeless model from the 1960s.