Black Archives, Not Archives of Blackness: On Laura Helton’s “Scattered and Fugitive Things”
Dorothy Berry reviews Laura Helton’s “Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History.”
Dorothy Berry reviews Laura Helton’s “Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History.”
Robert P. Crease reviews Adam Frank, Marcelo Gleiser, and Evan Thompson’s “The Blind Spot: Why Science Cannot Ignore Human Experience.”
Shoshana Olidort reviews Mireille Gansel’s “Soul House.”
Brittany Menjivar reviews Nicolette Polek’s “Bitter Water Opera.”
Dashiel Carrera reviews Nicolette Polek’s “Bitter Water Opera.”
Manan Kapoor reviews “Songs of an Eastern Humanist” by Edward Said.
Catherine Chou discusses “Taiwan: A Contested Democracy Under Threat” by Jonathan Sullivan and Lev Nachman.
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”
Naa Oyo A. Kwate lauds Uché Blackstock’s grounded memoir about racism in medicine and denounces Constance Hilliard’s genetic explanation for Black...
Sarah Brouillette reviews Melinda Cooper’s “Counterrevolution: Extravagance and Austerity in Public Finance.”
Jayson Buford revisits Curtis Hanson and Eminem’s “8 Mile.”
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
Francesca Peacock reviews Lucas Rijneveld’s “My Heavenly Favorite.”
Josh Billings reviews Matthew J. C. Clark’s “Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences.”
Tom Allen reviews Hannah Proctor’s “Burnout: The Emotional Experience of Political Defeat.”