Why “Hallucination”? Examining the History, and Stakes, of How We Label AI’s Undesirable Output
Joshua Pearson examines the history of the term “hallucination” in the development and promotion of AI technology.
Joshua Pearson examines the history of the term “hallucination” in the development and promotion of AI technology.
Miranda July speaks to Kate Wolf about her latest novel, “All Fours.”
Uttaran Das Gupta reviews Shanta Gokhale and Jerry Pinto's anthology “Maya Nagari: Bombay-Mumbai, A City in Stories.”
Matthew Sorrento interviews poet and speculative fiction writer Linda D. Addison.
In light of the cinematic success of Luca Guadagnino’s “Challengers,” Emily Quintanilla revisits the Perlman family in Northern Italy.
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Andrew Scull critiques the cultural influence of Peter Kramer’s 1993 book “Listening to Prozac.”
Angel #270, Annika Gavlak, attends the “Brat” promo at Brain Dead Studios to find out how Charli XCX is feeling now.
In an excerpt from LARB Quarterly no. 41, “Truth,” Ena Selimović translates Marina Gudelj’s short story … or is it a eulogy?
Emiliano Aguilar reviews Margaret M. Power’s “Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-imperialism."
Ellie Eberlee reflects on a momentous loss for the international literary community, and for the world at large.
Anna Levett reviews Mark Polizzotti’s “Why Surrealism Matters.”
Saikat Majumdar reviews NYRB Classics’ rerelease of Amit Chaudhuri’s first three books.
Paul Thompson scratches the surface of Eve Babitz’s Los Angeles on the occasion of her birthday.
Jenessa Abrams reviews Miranda July’s “All Fours.”
Ladette Randolph interviews Carolyn Kuebler about the relationship between writing and editing and her debut novel, “Liquid, Fragile, Perishable.”