Melissa Dinsman is the CLIR Postdoctoral Fellow in Data Curation for Visual Studies at the University of Notre Dame, and the author of Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II (2015). Dinsman’s research focuses on the intersection of modernist literature and media aesthetics, and her first book brings together her interest in late-modernist radio broadcasting, archival recovery, information networks, and the Frankfurt School. Dinsman is currently working on a new book project, America’s Blitz, which looks at the ways in which British and U.S. writers, directors, and broadcasters translated British wartime experiences for American audiences during World War II, and how these translations often resulted in a melodramatic genre-framing of Britain’s struggle. Her work can be found in journals such as Contemporary Women’s Writing, The Space Between, and Literature Interpretation Theory.
CONTRIBUTOR ARTICLES
The Digital in the Humanities: An Interview with Richard Grusin
Part 12 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Ted Underwood
Part 11 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Jessica Marie Johnson
Part 10 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Sharon M. Leon
Part 9 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with David Golumbia
Part 8 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Pamela Fletcher
Part 7 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Marisa Parham
Part 6 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Bethany Nowviskie
Part 5 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy...
The Digital in the Humanities: An Interview with Richard Jean So
Part 4 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Laura Mandell
Part 3 of a new series exploring the role of the digital humanities as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Alexander Galloway
Part 2 of a new series exploring the role of the digital humanities as well as the digital in the humanities as it currently exists in the US academy....
The Digital in the Humanities: An Interview with Franco Moretti
Part 1 of a new series exploring the role of the digital humanities as well as the digital in the humanities as it currently exists in the US academy....
An Interrupted Connection
Hans Bredow's world project highlights the central connecting threads of Markus Krajewski's failed global ventures prior to World War I....
