In the Tongue a Knife, in the Knife a Tongue: On Fernanda Melchor’s “Paradais”
Melchor’s new novel is overwhelming, violent, frightening, and leavened by a dark sense of humor.
Melchor’s new novel is overwhelming, violent, frightening, and leavened by a dark sense of humor.
Lowry Pressly considers “The Condition of Secrecy” by Inger Christensen.
A new translation of the poetry of Alejandra Pizarnik introduces Anglophone audiences to the influential Argentine’s work.
Lowry Pressly on Forrest Gander's book of poetry.
Nymphomaniac succeeds as a work of art insofar as it fails to live up to the terms it sets for itself as a film.
The reality of slavery’s toll in Steve McQueen's film